gonzo evangelizing the eschaton
personal musings
Merry Pranksters: “Not That Pivotal”
Jun 4th
I went off to the Furthur Festival completely uncertain about how that would go. I met up with Zane Kesey and the folks on the Furthur Bus and we sat for a day in the rain outside of the venue. We had some very surreal moments trying to get the Furthur Bus on site. There were a handful of very quotable moments.
Zane approached the gate and was given a spot in the venue. He went back out to get the bus and drive it in and we were positioned to help him back it into this spot on a hill. It was all a very precarious series of maneuvers. Just as it’s about to be in place, a very angry aggressive production guy pulls in in a golf cart and parks right behind the bus so that Zane can’t park it.
We try to explain that this is the bus that the festival is named after. (It’s actually the sequel, but, y’know, still a fitting mascot.) This angry guy’s henchman walks up and says “well, anyone can paint Furthur on the front of their bus.”
I don’t know who these two guys were but the henchman proceeded to make a handful of really stupid statements. First he said “This isn’t the ’60s where you guys can just pull in and do your own thing.” Then he said the Merry Pranksters were “not that pivotal.” My jaw was on the ground. Not that pivotal to WHAT?!? The band named itself after the bus, the event was named after the bus, the band wrote a song about the bus (“The Other One”) with the lyrics “the bus came by and I got on, that’s when it all began.” How much more “pivotal” did the Pranksters need to be?
I asked this guy if he read the Electric Kool-Aid Acid Test. He said he had but was dismissive about the book and it’s importance to the Dead scene. This guy kept putting his foot in his mouth. He said that Zane didn’t “create” the Bus, so Zane replies “No, but I inherited it.” And then Zane backs the vehicle up and is gone and this guy turns to me, “Was that Ken Kesey’s son?”
I got a very big grin on my face when I said “Yes.” This guy had stood there acting important to us for twenty minutes and just now figured out how stupid his “anybody can paint Furthur on the front of their bus” comment came out sounding.
There was plenty of comedy and irony to go around.
More Travels On The Golden Road
Apr 22nd
Last weekend was spent in San Diego at the MAPS “Psychedelic Science in the 21st Century” conference. I had an enjoyable time and was able to pick up a copy of Ralph Metzner and Ram Dass’ new oral history of the Harvard Psychedelic experiences, titled Birth of a Psychedelic Culture: Conversations about Leary, the Harvard Experiments, Millbrook and the Sixties. Ralph Metzner walked by my table at one point and kindly agreed to inscribe the copy to me.
On Monday I was back in the city and working with Alex and Allyson Grey at a Bicycle Day party. I wound up staying there until 5am and had a blast. Saw many friends, heard some decent music, and just felt great about everything.
This week will be a bit of a blur. I’m going to pack up, try to tie up as many loose ends as possible, and point my compass towards New Orleans for the Jazz and Heritage Festival. I haven’t been back there since 2006, the year after Katrina, but I look forward to it.
I am looking to pick up a bit of work with 7 Walkers, but mostly will be flying by the seat of my pants. I look forward to it.
When I get back, it’s full steam ahead for our Furthurmore Prankster Afterparty.
Onward and upward!
How I Became Pope Shady
Apr 4th
I wasn’t always Pope. And I wasn’t always Shady. So it stands to reason, that I certainly wasn’t always Pope Shady. Shady came before Pope. In the winter of 1988, I went home from Antioch College for Christmas Break. I went to a redneck bonfire party and this denim clad guy I didn’t know said, “I ought to call you Shady.” He said that because I was wearing purple John Lennon glasses and it was dark out. The glasses were proscription and I didn’t have a second non-tinted pair to wear after dark.
Well, I liked the name Shady. The name Backflash just sort of occurred to me. I was always a fan of Ziggy Stardust, so I figured it was a mutation of that. It had never occurred to me how close Shady Backflash was to Snidely Whiplash, the nemesis of Dudley Do-Right.
In honor of Easter, I’d like to tell the tale of “How I Became Pope.”
My first year at Antioch I was heading to Dark Star Comics in Yellow Springs and buying and reading a lot of very strange books, many of them published by Falcon Press. Prior to my first year of college I’d never heard of Falcon Press. My first Falcon Press book was Neuropolitique, a Timothy Leary book on the Evolution of Consciousness. Leary examined the themes that became central to his scientific outlook, namely whether it was possible to “wash” brains and, if so, whether psychedelics could assist in the program. Much of the book was written while Tim Leary was in a maximum security prison, having been imprisoned for possession of two joints and labeled by Richard Nixon “the most dangerous man in America.” At one point Leary is introduced to Charles Manson, serving life in prison for orchestrating numerous very high profile “Helter Skelter” Manson Family murders.
In the course of the book Leary examines whether the Manson Family was brainwashed and whether he, himself, after all of his experiences with psychedelics had learned to “wash his own brain”… He arrives at something he calls “imprinting” and sets out to “map” the mind with an 8-circuit model. At each stage of development, he says, the mind is most vulnerable to receiving imprints. As the mind develops, new circuits are impressionable. At a later stage it is difficult to go back and re-imprint the mind, but that the use of psychedelics open up opportunities to do so. He also examines the ability of trauma and related events to make one more susceptible to new imprints. He examines the kidnapping of Patty Hearst by the SLA as an example of traumatic re-imprinting.
I read and reread Neuropolitique. Then I went back in the bookstore and the woman running the store said “You must also be interested in Robert Anton Wilson.” I told her I’d never heard of Robert Anton Wilson. She pointed to a stack of books by this unknown author. I picked out one titled The New Inquisition: Irrational Rationalism and the Citadel of Science.
A friend down the hall was studying psychology and bong hits. He majored in bong hits and minored in psychology. And even though he only stayed on campus for a year before dropping out to hang around Strawberry Fields in NYC, I learned a tremendous amount from late night conversations with him. One night we got to talking about a guy on our campus who was calling himself Tao Jaffee who wrote a long winded piece for the campus paper called “Who Is John Galt?” We were first year students and not terribly familiar with the “tempest-in-a-teapot-controversy-of-the-week” nature of LIfe At Antioch, but we were plenty curious about this whole scenario. Turns out, not much of this was as unique as we’d thought. John Galt was from Ayn Rand’s Atlas Shrugged and the question “Who Is John Galt?” was lifted directly from there. There is even a website called whoisjohngalt.com. But the rumors swirling around Tao Jaffee were that he’d started a cult.
That’s when I decided I wanted to start a cult of my own. My friend was railing against my book The New Inquisition, so I started The Counter-Revolution Against The New Inquisition and declared “we’re starting a cult! Give me your lunch money!”
Another friend was working on launching an “alternative campus paper” and agreed to run my first article as Shady Backflash.
The cult never got off the ground in spite of numerous attempts on my part to keep restarting it. In the end, I didn’t have much to offer. Even my philosophy was half-baked, warmed over reworkings of R.A. Wilson and Leary, sprinkled with esoteric Deadheadisms.
The following year I returned to campus, but had a rather traumatic and abrupt departure for brain surgery on September 23, 1989. (Readers of R.A. Wilson will note this significance of The Number 23.)
When I returned in the spring, I returned to Dark Star Comics for my fix of Falcon Press books. I picked up another Robert Anton Wilson book, this one titled Coincidance.
At the time that I was reading Coincidance, I was also writing a term paper on “Acausal Coincidental Principle and Ceremonial Magick”. Acausal Coincidental Principle is one of those long-winded bullshit terms that seems to say a lot and nothing at the same time. I was hoping that Coincidance could help me understand What It All Meant. Essentially what I was trying to get at was the idea of seemingly unrelated things coming up at the same time in the form of “meaningful coincidence”. I read books on empiricism by A.J. Ayer. And I read all the prominent writings of the time on Synchronicity. I read about Jung and Pauli. I read about seriality. I read Koestler’s investigations. No one really knew how to explain the occurrence of causally unrelated events happening at the same time. Today I see that there is a prominent sentence in the scientific world to deal with this strangeness: “correlation does not imply causation.”
Casauity is something we all understand. Baseball is the perfect example of causality. Someone throws a ball. Someone swings a bat. The bat either hits or misses the ball, and the outcome begins to dictate the movements of the play. If the bat connects with the ball, the ball flies through the air and the batter runs. If it misses, well, there are a few variations, but in the vast majority of them, the batter doesn’t run for a base. Most scientific models are based upon the causal model of the world. Or at least they were until Einstein, who introduced the idea of relativity and when he began to delve into quantum mechanics, even he did not even accept many of the results of his own findings, going so far as to proclaim “God does not play dice with the universe.” Stephen Hawking retorted “God not only plays dice, but sometimes throws them where they cannot be seen.” (As has been stated elsewhere, God does so in the dark and the dice are loaded.)
The gist of what I was trying to understand in college was whether or not there was a way to increase the frequency of the occurrence of meaningful coincidences. It seemed like a lofty ambition, but I was doing a lot of acid at the time and seeing meaningful coincidences everywhere.
In the course of writing this paper, I hoped that Robert Anton Wilson would provide some insights. So I began reading Coincidance. And in case that book did not provide enough insight, I picked up a giant doorstop of a book titled The Illuminatus Trilogy. Coincidance, as the name implies, was a look at meaningful coincidences. The doorstop was a trilogy that wove historical data about The Illuminati in with very strange humor and sci-fi elements. I came to learn, in the course of reading R.A. Wilson, that he lived in Yellow Springs, Ohio when he was writing the books and that portions of the Illuminatus Trilogy were set on my college campus and the adjacent nature preserve, The Glen Helen.
I had also gotten a gig writing for The Antioch Record, the campus paper. The Record editors humored me by letting me write a column as Shady Backflash alongside my more mundane campus coverage. I’d been influenced by the R.A. Wilson writings enough at this point that I began to expand on the idea of a campus cult to a religion and wrote a quick article called “Shady For Pope.” I wrote that I was expanding from politics to religion and sought to attract converts.
The following week, a friend, John Wells, was convinced to render a cartoon of me as the Heirophant Tarot card, wearing a propellar hat and holding an ankh. Above the Heirophant were the words Shady For Pope. As a last second addition one of the editors found a Weekly World News Headline that read “As If She Didn’t Suffer Enough With Brain Surgery” and blacked out the S and made the “h” into a capital letter. It was perfect! The cartoon appeared on the back of the school paper.
Then a series of very strange things happened. Someone gave me a card that read “The Bearer of this card is an official and authorized Pope” (you can create your own here.) Then someone else gave me a photocopied stack of papers titled The Principia Discordia. But that was only the beginning of the weirdness. In the course of reading Coincidance, I saw the Pope card replicated in the back of the book under a caption “You Too Can Be A Pope.” And I learned that the entire Illuminatus Trilogy that I was reading was based upon this “book” called The Principia Discordia that I’d been handed in a stack of photocopied pages.
So there I was back on campus staring at a term paper on Acausal Coincidental Principle analyzing whether I could “invoke” coincidence. I didn’t do it by ritual, but, rather, I’d inadvertantly opened a portal for Eris Discordia, the Greek Goddess of Chaos and Discord to wander into my life and introduce herself.
And so even though I believed I was starting my own religion, The Born Again Pagan, Christian Mystic, Zen Gypsy Warlock, Psychedelic Mind-Fucked Church, unseen forces were conspiring to draft me into theirs. I kept my religion, but expanded my cult portfolio to be poly-denominational and omnidirectional. I’ve been a proud Discordian Pope ever since. The Discordians, I’ve come to learn, define a Pope as “someone not under the authority of the authorities.” What is it they say? When the student is ready, the teacher will arrive? I guess The Secret MisChiefs decided I was ready to be Pope.
No, Not THAT Jesse James!
Mar 31st
I have been beating my head against a proverbial wall with Search Engine Optimization and WordPress E-Commerce integration in my efforts to try to get a bit of income flowing from my websites. In the course of doing so, I went over to Technorati to stake a “claim” on this blog for The Greater Glory of Shady Enterprises…
Technorati, not to be confused with Blotterati, actually gets heavy web traffic as the premiere clearinghouse for the so-called blogosphere. It will track blogs and chart endless statistics on which topics are trending and which are not. It will also tell you if your obscure little blog out on the hinterlands of cyberspace has gotten any recognition whatsoever, but Google Analytics is really a better way to track that info.
Anyway, in the midst of roaming around Technorati I saw that “Jesse James” was among the trending topics. “Jesse James?!? Ya mean like the outlaw bandit from Missouri who, depending on your perspective, was either a post-Civil War anti-hero or a murderous racist scalliwag?” Well, no, as it turns out, not THAT Jesse James. And what a shame, because I would have had some interest in learning why he was suddenly trending on Technorati.
Turns out there’s a custom chopper celebrity Jesse James who went to an Arizona sex rehab, had an orgy and posed as a Nazi. Or something like that. Who can be certain of the details? Or be bothered to care? How disappointly typical of these modern times!
I have more than a passing interest in the outlaw Jesse James though. As a child my maternal grandmother told my family that we were related to Daniel Boone. The family went out to the Daniel Boone home and signed into the guest book and was, apparently, able to trace the actual lineage. Not to be outdone, my maternal grandfather began propagating the story that we were also related to Jesse James, on his side of the family. He had no proof to bolster his claim, of course, but lack of evidence made his claim no less attractive.
In the more than thirty years that have passed since I first heard him tell this tale, I’ve had to wonder if there was any factual basis to the claim or if he just disliked the idea that his wife had ties to Daniel Boone and that he needed a wild claim of his own. If memory serves me right, his mother’s maiden name was James and we lived in Missouri, where the James Gang was known to hide out in the caves, but beyond that, I don’t have a clue if he was just pulling our leg.
One strange serendipity that I encountered a few years ago is that there was a book called The Life, Times and Treacherous Death of Jesse James edited by a Joseph Snell of the Kansas State Historical Society. And a quick Google of Jesse James and Snell informs me that the screenplay for Roy Rogers’ The Days of Jesse James had a screenplay written by an Earle Snell. Snell was my grandfather’s last name.
Hard to say if I’ll ever definitively know if I’m related to Jesse James, but, in the immortal words of One Flew Over The Cuckoo’s Nest, “it’s the truth even if it didn’t happen.”
Don’t Let The Milk Float Ride Your Mind
Mar 30th
“Don’t let the sun blast your shadow
Don’t let the milk float ride your mind”
– Ziggy Stardust, “Rock & Roll Suicide”
I’ve been increasingly uncertain about the role of this blog and yesterday I wrote a long tirade about how microblogging via Facebook status updates and Twitter have seemingly supplanted a lot of the blogging activity that I used to participate in and how that seems a lot more like microwavable meals on wheels than actual interaction, but by the end of the long winded tirade, I’d bored myself with how tedious it sounded and I didn’t post it.
Then this morning I clicked over to Technorati.com, the site that tracks all of the thousands of blogs online, and saw that it lifted my ranking from 1 to 103 and listed the following tags as descriptive of what this blog is all about: “blotter art, blotter, merry pranksters, ken kesey, lsd, acid, psychedelic art, art, jerry garcia, grateful dead, deadheads, burning man,”
Granted, I probably put those tags in there. In fact, I’m nearly certain I did when I submitted the blog for inclusion on their site, but what I’m noticing this morning is nowhere in there did I include “curmudgeonly rants about how facebook and twitter and microblogging are superficial and deteriorating discourse in the modern world,” so I decided this morning that I need to get over my grumpy old man tendency and get back to the meat of the matter, which is cheerleading this weird little art world that I’ve found myself in and that I’m spending my time trying to promote as an alternative to venturing out into the cold scary world of employment to earn my rent and groceries.
Kesey once used the term The Intrepid Trips Society for Artistic Revolutionary Training (ITSART) as the umbrella under which he threw parties. I’d like to see the ITSART faction of the Grateful Dead scene have a second life. In that vein, I should say it does look like our afterparty is going to happen. At least that still seems to be the hope… Furthurmore is still the working name… Two days, May 31st & June 1st, a continuation of the Memorial weekend event at Mountain Aire…
I’ll post more here and to ATFurthur.com when some contracts get signed and announcements are ready to be made.
And in the meantime, I’m creating some new blotter art designs, tweaking some old ones into new variations, working on scanning images to the Shakedown Gallery website, and still plodding along with Google Page Ranking.
Greetings From Rooftopia
Jan 11th
On the eve of my 41st birthday, I find myself in an artists’ compound in Los Angeles affectionately known as Rooftopia. The artists involved are people I met in the fall at the Symbiosis Gathering who had a neighboring booth and became fast friends.
In October, en route to Phish’s Festival 8, I came through town and called up Jimmy Bleyer. He gave me a place to stay and took me on a tour of two gallery spaces, the Hive Gallery and the future site of his Temple of Visions Gallery. We talked and he introduced me to Nathan Cartwright, curator of the Hive Gallery.
Nathan offered me space to hang a small blotter art display at the January 9th opening which coincided with Jimmy’s Grand Opening of the Temple of Visions Gallery.
For my part, my contribution was less than ideal. I squandered valuable planning time in November and barely pulled a display together before I was on a boat in international waters working the Jam Cruise festival. But, hey, thank goodness that the universe looks out for Fools, Drunks and Children, because unseen forces rallied to my aid and a modest but tasty blotter display was hung at the Hive.
The opening itself was nothing less than astounding. There was a line fifteen deep at the doors of both galleries for hours as people paid $15 to attend the two shows. I’d never seen anything like this.
For my part, I was actually in an emotional funk, but these past few weeks — well, from Furthur’s New Year’s Eve run to the present — for me have just been about appreciating how lucky I am to have cultivated such solid friendships in my life.
On New Year’s Eve at Furthur, The Beatles song “All You Need Is Love” blasted from the loudspeakers just as the countdown was happening. Balloons fell from the sky, I was texting this to someone I adore who couldn’t be there and the band started to play The Golden Road To Unlimited Devotion, which is a Grateful Dead devotional song of sorts, and I felt in that (completely sober) moment just how loved and how lucky I am.
Two days later I was on a boat in the ocean, then in Jamaica, then The Caymans and hearing some of the best musicians on earth doing improvisational jams ’til the sun came up, and then flying west for my first ever art display at a “real gallery.” And Love, Love, Love… Without It in The Dream, It’ll Never Come True… Or at least that’s what I’ve been told.
Sooo… 40 has treated me quite alright. Back to Sam Fran’s Disco tomorrow, and back to trying to get a clear sense of what February might have in store.
Regardless, on this eve of my 41st birthday, I feel like one of the luckiest people alive. Now I gotta get out the popcorn popper and drum up some coin ‘cos I ain’t got a trust fund and all this fine livin’ doesn’t come without a price.
“Ohhh, What A Beautiful Buzz, What A Beautiful Buzz…!!!”
(Gimme A Little Drink… And I Fall Down Drunk…)
Pad, Sweet Pad
Oct 18th
Well, just got back to San Francisco, after a week back east at the New York Harvest Festival, and lucked into what seems to be a great living situation near the Panhandle with a couple of older guys that I know via their friendship with the curator of the Institute of Illicit Images.
One of the guys that I’ll be living with had a moment of his “fifteen minutes of fame” when he put flowers in the barrels of guns during a Viet Nam War protest back in the sixties.

The house is a sprawling beautiful Victorian, the sort that made the Haight-Ashbury the hot spot that it was during the mid-to-late Sixties.

I visited The Haight on my first trip to San Francisco in 1987, the 20th anniversary of the Summer of Love. While in town, I bought Charles Perry’s Haight-Ashbury: A History. That book (once again out of print!) sits alongside Tom Wolfe’s The Electric Kool-Aid Acid Test as being, to me, one of two books that best captures the What and Why of San Francisco’s late ’60s art explosion.
Paul Krassner summed up the Haight as a “spiritual revolution that was treated as a temporary fad.” And I think he was pretty spot on in that assessment.
Despite its storied history, I had never thought of wanting to live in or near The Haight. The neighborhood goes through roller-coasters of popularity, but it is also a sad landmark in many respects. Any given block of the upper Haight is heavily populated by drifters begging for change. Many are rude.
So much of the Burning Man “No Spectators” ethos owes more than a passing debt of gratitude to the interactive street theater that groups like the Diggers and the San Francisco MIme Troupe enacted in the Haight. So much of that early “Trip Without A Ticket” art has infiltrated the Burner scene, but you’d be hard-pressed to know this walking down Haight street.
The Upper Haight is both gentrified and ghettoized, at the same time. The street is populated with nice inviting store fronts selling love beads, tie-dyes, incense, bongs and peasant dresses, same as it has for years, and out front there are dozens of dreadlocked young people with dogs asking for change or to “spare-a-juana”…
The Charles Perry Haight-Ashbury book details the promise of the neighborhood as an art movement. The dull pendulum swing from Psychedelic Mall to Beggar Colony only underscores, in my mind, just how tragic the loss of the neighborhood’s artistic spirit really is.
Then again, that same spirit is alive and well elsewhere in San Francisco, a fact that I’m reminded of every time I venture past Gerlach, Nevada out into the Black Rock Desert for the annual designer drug desert orgy.
This Is Your Life
Apr 10th
I travel a lot and have pretty much ever since I caught the Grateful Dead bug back in high school. Twenty plus yeares of roaming the Golden Road has afforded me the opportunity to see most of the states in the U.S. and a couple other opportunities have gotten me off of U.S. soil for short stints as well.
One thing I’ve always enjoyed is hearing about places or people and then going to that region and seeing those places and meeting those friends of friends and watching the interwoven circles of friends ripple outwards. Big parties like Dead concerts and Burning Man facilitated those sort of ripples in big ways.
Case in point: the past couple of days I’ve had the good fortune after working an Omega Institute conference in NYC to visit friends who work the Gathering of the Vibes festival in Connecticut.
Yeaterday I checked my location and noticed it was “Newtown, Connecticut” and a memory from fourth grade was triggered… when a cute girl across the street that I’d developed a crush on moved out of town. She gave me her adress… Taunton Lane, Newtown, Connecticut. In school-boy-crush-like manner, I committed the address to memory.
This morning my friend took the scenic route. As we were going down this beautiful back street I glanced at the street sign — Tauntin Lane — and a wave if strange distant memories whispered in my ear.
Life is such a trip!
Facebook 2.0: Mediocre Lifestream Site?
Mar 18th
After a few days of staring at Facebook’s new design and reading streams of remarks like “WTF?!?” interspersed with a barrage of “What Kind of St Paddy’s Day Cabbage Are You?” quiz reults, I’ve tentatively concluded that Facebook is attempting to position themselves as the web’s premiere lifestreaming site. Sadly, if the endless list of gripes about the interface on my page can be taken as representative of the userbase as a whole, they seem to be doing a very poor job at accomplishing this goal.
The lifestreaming trend seems to be an accumulation of the ongoing phases inherent in socializing the internet. The internet as a whole is, of course, entirely social, and the growth, mutation and interactivity of this virtual organism tells the human history of socialized technology. With each new innovation, new interface issues are also raised. Starting with the usenet bulletin board systems, the Internet Relay Chat, then websites and web communities, we eventually arrive at the advent of what we currently lump into the broad category of “social networking” with its various components.
LiveJournal was an early adapter that created a new form of social-blogging. After LiveJournal, “Friend Aggregators” began to emerge around the web, with the vanguard of this revolution seeming to come from Friendster.com. As that site torpedoed into irrelevance, MySpace took over the reins. MySpace excelled as a place to promote music, but not everyone was sold on the “bastard child of Paris Hilton and the American Idol” look of MySpace. My personal favorite of the social sites, tribe.net, shot itself in the foot in January 2006 when an authoritarian new owner came in with radical design changes and seemed to have the agenda of rapidly expanding the site’s userbase from that of a fringe-dweller alternative site to one that could appeal to mall moms, high school students and, well, anyone who fell in some comfortably non-threatening “least common denominator” demographic. Since then, I think the site’s withered into a virtual ghost town. Some people still feel extremely devoted to it, but many have shook their heads in sorrow and moved on… mostly to Facebook.
Facebook has been expanding at an alarming rate. Perhaps the only online site to be expanding faster is Twitter.com. I don’t know the raw data, but these two seem to be the Titans of the new media. And, interestingly, bizarrely even, Facebook seems to be morphing its entire site into a LIfestream that follows and tries to expand upon the Twitter model. At least one person has referred to the redesign as an attempt to create Twitterbook. (A quick Google of the “word” twitterbook yeilds 5,640 entries, including this story, which details the failed efforts of Facebook to acquire Twitter.)
Where is all of this nonsense leading? I have been convinced that FriendFeed.com has its finger on the pulse of the trend. Friend Feed is built on the notion that people might want status updates from one friend, blog entries from another, a photo album from yet another, and strange random date of their own choosing from still another. Where it becomes particularly helpful is when you want to check out the actions of a few close friends but not be bombarded by a bunch of less compelling information from people you know casually.
My only gripe with Friend Feed is that I’ve set up the Twitter feed through Facebook and when FriendFeed updates, it duplicates everything. I know this is something that’s alterable, because I’ve seen other profiles that don’t have this issue, but I haven’t yet devoted more than twenty minutes to beating my head against a wall trying to configure the settings. (I like social media and learning new software, but I’m not super tech savvy. The extent of my familiarity with a site or program typically involves clicking on Preferences or Options and toying around until I feel comfortable or get bored, and then I forget what I’ve done for another six months until something else inspires or annoys me about a site or software that becomes a catalyst for new learning.)
If anyone sets up a Friend Feed account, feel welcome (encouraged) to link to me. The site seems very versatile and may be an early sign pointing in the direction of the future of social networking. In the meantime, if you are trying to make sense of the new Facebook look, I have one very solid suggestion: create Friends lists. I resisted doing so for most of my time on the site. With the roll-out of the new site, it becomes almost crucial to use grouping if you want to know what a core group of friends is saying, doing, linking to and don’t want to be bombarded by a vast assortment of other data that may or may not amuse you at various points, but which certainly makes wading through the endless datastream that Facebook has morphed into.
Oh, and I stand by my earlier suggestion that Facebook could use a little more cowbell.
I’m Amused!
Feb 21st
Got this message today on Facebook:
Snidely Whiplash is the cartoon archvillain to Dudley Do-Right in the Dudley Do-Right of the Mounties segments of The Rocky and Bullwinkle Show.
It’s never occurred to me how similar Shady Backflash is to Snidely Whiplash. Thus far I’ve not tied anyone to any railroad tracks.